Overview
The MA in Art Law and Arts Management Programme is being offered by the School of Humanities, Social Sciences and Economics of the University Center of International Programmes of Studies of the International Hellenic University. The programme aims at exploring and highlighting the functional interdependence between art law and arts management. Particular emphasis will be placed upon the legal, financial and political considerations and the corresponding regulatory approaches implemented in Europe and elsewhere concerning the creation of digital works of art, the art trade, the operation of the markets concerned, the function of intellectual property law at the EU and international level, the protection of cultural heritage and protection against unlawfully acquired works of art. The programme adopts a multi-disciplinary approach and is addressed to graduates of various academic backgrounds, including law, economics, political science, history of art, philosophy, etc., who wish to specialize in the interrelation between art, law and the economy.
We aim at providing candidates with:
- the specialized legal, financial and cultural background to pursue a successful career in academia and research, private organisations that commercialise works of art, museums, art collections, law firms practicing in the field or public sector organizations involved in the management, legal protection, re-claiming and supporting works of art;
- legal and financial expertise on the operation and management of art markets (including sales of works of art, art portfolio management, art auctions etc.);
- in-depth knowledge on the national and international legal framework on national heritage, monument preservation, art loans or archaeology laws;
- intellectual property law expertise within a globalized art market;
- insights on those fields of law (constitutional, civil, penal etc.) affecting the legal protection of works of art.
The courses are taught exclusively in English. The academics teaching on the programme come from universities both abroad and in Greece.
Start date: October 2024
Application deadline: 31 August 2024 (non-Greek applicants) / 30 September 2024 (Greek applicants) or until places are filled
Campus: Thermi, Thessaloniki
Duration/Mode: 1,5 years full-time or 2,5 years part-time / weekends (distance learning mode)
Taught language: English
Entry requirements: An undergraduate degree from a recognised University
Language requirements:IELTS (academic 6.5 and above), TOEFL (IBT, 95 and above) or TOEIC (745 and above) score, or a recognised by the Greek State certificate of proficiency in English of C1 level
Fees: 3,000€ (total)
How to apply: Please follow the instructions at the applications page
Programme announcement:
ENG |
GR
Aikaterini Stavrou
MA in Art Law and Arts Management
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’After having incorporated into its context a major number of international law experts mandated to indicate the legal, cultural and, inevitably, economic considerations upon the issue of the globalized art market, this challenging and demanding postgraduate program has managed to build for us, i.e. its current international students, a unique and innovative vocation – specialization; a specialization based on the different perspectives arisen with regard to the crucial issue of art as creation, ownership and transactions.
Who can apply
To be considered for the programme, candidates are required to have:
- an undergraduate degree from a recognised University
- proof of English competence [a recognised certificate of proficiency of C1 level, recently acquired IELTS (academic 6.5 and above), or TOEFL (IBT, 95 and above) or TOEIC (745 and above) score]
Course content
The core courses
First Term
Teaching hours and credit allocation: 44 hours, 8 credits
This module aims to examine the emerging areas of cultural property and heritage law from legal, social, theoretical and practice-oriented perspectives. The module starts with an overview describing the notions of cultural property and cultural heritage, as well as the whole system of protection that has been developed in the last century. It then examines international conventions, relevant EU regulations and directives, as well as the interaction of the instruments aforementioned. The module will focus on the protection of cultural property in times of peace, and essentially deal with the movement, trading and restitution/return of stolen or illicitly exported cultural property. At the end, the relevant legislation in Greece is presented and put in relation to the international and European legal instruments. Specific cases and paradigms, as well as evolution and basic trends in the field will be analyzed.
Learning Outcomes
On completion of this module, students are expected to be able to:
- Understand the notion of cultural property and the distinction between cultural property and cultural heritage
- Understand the overall system of protection of cultural property and cultural heritage
- Identify the significance and basic issues enshrined in the most important international treaties (the 1970 UNESCO Convention on the illicit import, export and transfer of ownership of cultural property, and the 1995 UNIDROIT Convention on stolen or illegally exported cultural property)
- Recognize the relevance and role of the European Union Law for the protection of cultural property (e.g. the free movement of goods and the ‘national treasures’ exception, Regulation 3911/92 (repealed by Regulation 116/2009), Regulation 752/93 and Directive 93/7/EEC)
- Understand the interaction of the above legal instruments
- Appreciate the role of soft law instruments (like codes of ethics developed by UNESCO, ICOMOS and other international organisations and NGO)
- Become familiar with international institutions and organizations active in the area of cultural property protection
- Make policy decisions when it comes to disputes concerning cultural property and cultural heritage
Content
- The notions of ‘cultural property’ and ‘cultural heritage’
- The theories of cultural nationalism and cultural internationalism
- The overall system of protection of cultural property and cultural heritage
- The protection of cultural property against illicit export or removal
- The restitution and return of cultural property
- Immunity from seizure of works of art on loan from abroad
- Dispute resolution in cultural property cases (judicial recourse, alternative dispute resolution, arbitration, mediation, negotiations, cultural diplomacy)
- Greek legislation in the field (ratification of international conventions, and harmonization of EU directives into the Greek legal order)
- Case Studies
Teaching hours and credit allocation: 44 hours, 8 credits
This module aims to equip students with a sound working knowledge and understanding of key legal skills required in order to operate successfully in the arts market. The roles and responsibilities of artists and professional managers in relation to legal and related business issues will be examined, and the students will be provided with a detailed and advanced understanding of latest developments in law and practice of artwork transactions. This course also aims to analyse the export procedure of objects of art, the protection of artists’ rights, and to enable students to critically evaluate international statutes related to the acquisition and disposal of works of art.
On completion of this module, students are expected to be able to:
- develop an understanding of the legal framework of the arts market
- understand the legal context within which professional practice in arts market is grounded
- explore the use and development of laws governing art investment
- develop knowledge of different types of contracts concerning artwork transactions
- develop knowledge of auction rules
- analyse artist’s moral and intellectual property rights
Content
- history of the art market rules
- codes of ethics
- intellectual property and copyright protection
- acquisition of works of art and art loans
- types of contracts
- contracts between/among artists, dealers, auction houses, collectors, museums and the state
- rules and contracts relating to the procedure of export of artwork
- disposal of works of art
- legal framework of sales of artwork in auctions
- art taxation
Teaching hours and credit allocation: 32 hours, 6 credits
Cultural property disputes raise complicated questions entering into many spheres, including history, national and international law and, of course, the marketplace. Because of the wide variety of legal norms and the cross-border nature of most cultural property claims, complicated conflict of law issues inevitably arise. The aim of this module is to provide students with knowledge on the protection and preservation of cultural property under international law, and to analyse a variety of approaches that can be adopted in order to address problems arising during settlement of disputes concerning cultural objects. Emphasis will be placed on alternative dispute resolution, as this potential has been continuously gaining international attention .
On completion of this module students are expected to be able to:
- develop an understanding of the wide range of actions concerning disputes over cultural objects –
- being conscious of the fact that cultural property disputes may take a variety of forms
- understand and interpret the law on the settlement of disputes concerning cultural objects
- analyse the decisive criteria leading the parties to opt for an ‘out of court settlement’ solution
- understand the difference between judicial and diplomatic methods of dispute settlement
- develop knowledge of traditional court litigation and alternative dispute resolution
Content
- definition and nature of cultural property
- areas of disputes concerning cultural objects
- potential stakeholders to disputes concerning cultural property
- ownership disputes between museums and other parties (associations, representatives of governing bodies, national communities, private individuals)
- dispute resolution of cultural heritage
- alternative dispute resolution (ADR) methods for art-related disputes (mediation, arbitration)
- initiatives by international non-governmental organisations (United Nations, WIPO, ICOM)
Teaching hours and credit allocation: 56 hours, 10 credits
This module aims at providing a fully comprehensive analysis of copyright law. This analysis will take place against the background of European, international and comparative law. In general, this module focuses on the legal protection conferred on copyright. A copyright is a set of exclusive rights conferred by a state to the creator of an original work or their assignee for a limited period of time in exchange for public disclosure of the work. This module will enlighten various debates surrounding copyright law. Students will have the opportunity to study the wider context in which intellectual property is produced and copyright law applies. This means that students will study the rationales, as well as, specific areas of copyright. The module will focus, among others, on issues relating to acquisition of rights and on their infringement and enforcement. Additionally, various aspects of copyright with regard to arts and cultural property will be discussed. The ambitions of this module are to equip lawyers willing to become specialized in copyright law with the essential knowledge, to assist their professional development and to sharpen their critical ability. Thus, they will be able to manage copyright law in practice. Apart from the examination of core areas of copyright law, students will focus on contemporary copyright issues of particular topicality, which are becoming more and more important from a legal point of view (internet, public domain, human rights).
Students will be able to:
- Understand why copyright matters
- Understand the acquisition of copyright, as well as its infringement and enforcement.
- Understand the various sources of copyright law (both, domestic and international).
- Understand the topics regulated by the EU copyright directives.
- Understand the importance of copyright for cultural policy and for global culture industries
- Understand the relationship between copyright law and artistic works
- Be aware of the existence of new areas where copyright law will be called to play a major role (“hot topics”).
- Understand major policy issues with regard to the amendment of copyright law.
- Understand the relationship between digital environment and copyright law
- Appreciate the economic, social and moral effects on the evolution and operation of copyright law
- Identify the length of copyright protection
- Understand the role of copyright law in international trade relations.
- Examine the ownership of an original work
- Understand the wider context of copyright law
- Understand the difference between moral and economic rights
- Understand the exceptions to the rights conferred by copyright.
- Be aware of the fact that copyright law changed as rapidly as the character of the global economy.
Content
- The origin and development of copyright: history, rationale and subject matter
- International copyright law – international conventions and aspects of private international law. EU copyright law.
- Copyright works, fixation and originality, and secondary works
- Authorship, ownership and duration of copyright
- Economic rights and infringement
- Infringement: the restricted acts, primary infringement, authorization and secondary infringement.
- The permitted acts: fair dealing, criticism and review, reporting current events, and the public interest defense.
- Moral rights
- Exceptions, technical protection measures and contracts
- Dealing with copyright
- Civil and criminal remedies
- Copyright and the new technology
- Comparative aspects of copyright. Other topical issues
The aim of this module is to develop an understanding of management practices and trends within the contemporary international art market. The course focuses on the interactions between artists, collectors, museums, auction houses and galleries, as well as on the treatment of art as an investment. Special emphasis shall be placed on the organisation and management of international art fairs and shows.
The course will allow participants to:
- Understand the operation of contemporary international art markets;
- Develop analytical skills to evaluate investments in art;
- Understand the perspectives of artists, art collectors, auction houses, museums and gallery owners while handling works of art;
- Become familiar with contemporary financing tools for the acquisition of works of art;
- Become familiar with the operation and organisation of art international art shows and/or fairs;
- Understand the context and structure of art finance transactions;
- Understand the operation of art insurance;
- Be equipped to compete for management positions in art management institutions.
Content
- Management practices within the international art market
- Artist engagement / acquisition of works of art
- Art as an investment
- Construction of an art market index
- Museum/art collection management
- Art financing options
- Art insurance
- Management of art shows/fairs/exhibitions
- Art publications / international art promotion channels
Τeaching hours and credit allocation: 30 hours, 5 credits
Τhis course is designed to give students unrivalled access to the digital art market. It explores online art and the possible fraud in online art purchases and sales. The course also explores important ethical and legal problems of online art and privacy. Its main aim is to develop an understanding of legal practices and trends within the contemporary international digital art market.
On completing the module, students are expected to be able to:
- Discover online art
- Understand the problem of online art and privacy.
- Discover the possible fraud in online art purchases and sales.
- Discover how the management of cultural heritage works in the digital age.
- Identify Digital works of art in museum collections
The programme offers a choice of electives which represent a rich variety of subject areas. Participants choose two of the following modules (one in each term):
Τeaching hours and credit allocation: 14 hours, 6 credits
The aim of this module is to introduce students to the legal framework and legal problems associated with art theft and art looting. Theft and robbery of art can be lucrative business for those implicated, since the stolen art pieces can be of great economic value. Stolen art can be resold or used for ransom. The module aims to examine the legal issues emerging in this context.
Upon completion students will be able to:
- Study the problems of art theft, art looting, illegal trade, and transfer of art, antiquities & cultural property in general;
- Understand the relevant international legal framework;
- Evaluate existing mechanisms for the restitution of stolen or looted art;
- Evaluate present mechanisms for the resolution of disputes between states, museums and individuals.
Content
- The problems of art theft and art looting from a historical perspective; famous cases;
- The market for stolen art, its characteristics and the high stakes; ‘source’ and ‘market’ countries;
- The plunder of public or private property during armed conflicts; the 1954 UNESCO Convention for the Protection of Cultural Property in the Event of Armed Conflict;
- The 1970 UNESCO Convention on the Means of Prohibiting and Preventing the Illicit Import, Export and Transfer of Ownership of Cultural Property;
- The 1995 UNIDROIT Convention on the Return of Stolen and Illegally Exported Cultural Property;
- Other important international and regional initiatives, such as the conventions of the Council of Europe (European Convention on Offences relating to Cultural Property, etc.);
- Art Loss Register and similar databases;
- The specific case of the Nazi plundering of artworks; legal solutions and important judicial decisions;
- Conflict of law rules that are applied to cultural property (lex situs, lex originis);
- Defining and applying the notion of “good faith” and provenance in the context of stolen art acquisition;
- Legal questions faced by museums, art traders and auction houses as they acquire, use, manage and sell their collections
Τeaching hours and credit allocation: 14 hours, 6 credits
This module aims at providing a thorough understanding of the relationship between competition and intellectual property rights. More specifically, the purpose of this module is to consider the impact of competition law on the exercise of intellectual property rights. The exercise of intellectual property rights could result quite often in anti-competitive behaviors (entry barriers). Protection of intellectual property rights could lead to a monopoly encroaching competition. Moreover, agreements between owners of intellectual property rights could distort competition. Competition law and the exploitation of exclusive rights very often clash. Hence, the role of competition law is very important in order to avoid this kind of behaviors which are harming competition. This module seeks to provide an analysis of situations where the European Commission and the Court of Justice of the EU could intervene to regulate the exercise of intellectual property rights within the context of the internal market. Students will have the opportunity to examine various domestic and EU cases. For example, the ongoing litigation between the European Commission and Microsoft presents a great interest for all ip and competition lawyers. Additionally, reference will be made to the international aspects of the relationship between competition and intellectual property rights. It is obvious that the significance of competition law for the exercise of intellectual property rights concerns not only ip lawyers but competition lawyers, as well.
On completing the course the participants will:
- Analyze the coexistence of intellectual property rights and competition law and its practical significance
- Understand the central position of intellectual property rights in the economy
- Criticize the expansion of legal protection conferred on intellectual property
- Understand that intellectual property rights are justified on grounds of innovation.
- Critically evaluate the conditions in which competition law could be applied to alleviate the exercise of intellectual property rights
- Critically evaluate the conditions when the enforcement of intellectual property could breach competition rules
- Focus on domestic and EU competition rules as there is no rigid international framework.
- Understand that TRIPS asks, on a voluntary basis, for domestic competition rules within certain limits.
- Understand the links among innovation policy, competition policy and intellectual property.
- Understand how the justifications for the existence of intellectual property rights are connected with the relationship between competition law and the exercise of intellectual property rights.
- Critically evaluate the role of competition agencies with regard to intellectual property rights
- Identify which clauses in intellectual property agreements are permissible
- Identify which behaviors of right holders constitute abuses of dominant position
- Apply EU competition law to all types of intellectual property
- Focus on specific issues such as technology transfer and pools, research and development, and franchising and merchandising.
- Analyze how case law has set limits in various areas on the extent to which intellectual property can be enforced
Content
- Introduction to competition law-competition policy.
- Competition law and intellectual property.
- Agreements between undertakings and intellectual property (Article 81 EC/101 TFEU)
- Licensing agreements and article 81 EC/101 TFEU-case law of the Court of Justice of the EU
- Block exemption regulations, technology transfer block exemption regulation
- Abuse of a dominant position and intellectual property (Article 82 EC/102 TFEU) -case law of the Court of Justice of the EU
- Refusal to supply and abuse of a dominant position
- The proper boundaries between intellectual property rights and the application of article 82 EC/102 TFEU.
- Case studies: cases before domestic courts and before the Court of Justice of the EU
- European Commission v Microsoft
Τeaching hours and credit allocation: 14 hours, 6 credits
The aim of this module is to identify and analyze legal problems related to architecture design, photography and other artifacts. The design and layout of spaces does not only involve mathematics, engineering, and science; architecture and design are interdependent forms of artistic expression, reflecting the designer’s talent and originality. Similarly to architecture design, photography has a functional and practical aspect, but it has also evolved into an elaborate form of artistic expression. The legal protection of architect design and photography is a new and challenging field of study. The module takes into consideration the legal implications of the new technological developments (new information and communication technologies, use of digital forms and multimedia), which are associated with architect design and photography.
On completing the course the participants will be able to:
- Understand the main characteristics of architecture design, photography and other artifacts, from creation to commercial exploitation;
- Understand the role of law and the scope of the protected subject matter in the context of photography and architecture design;
- Understand and the legal mechanisms for protecting the designer’s and the photographer’s copyright and moral rights;
- Study the legal restrictions on photography (public morality, protection of privacy, etc.);
- Appreciate the importance of the new information and communication technologies, digitalization, network convergence and cultural work within the information society.
Content
- The Berne Convention for the Protection of Literary and Artistic Works; the Universal Copyright Convention;
- Examples of national legislation, such as the Architectural Works Copyright Protection Act (U.S.);
- Registration of work;
- Assignment and licensing;
- Joint authorship, work-made-for-hire;
- Contracts, releases, and permissions to the copyright laws from the architect’s, photograph’s and client’s point of view;
- Protection from infringement; defining substantial similarity;
- Architectural design controls;
- Photography and the rights of privacy;
- The special issues of censorship and obscenity in photography;
- The legality of photographing currency, trademarks, copyrighted materials, military installations, private property, celebrities, children, etc.;
- Getting the work on the web;
- Litigation and ADR.
Τeaching hours and credit allocation: 14 hours, 6 credits
This course will give you useful insights into arts management both from the point of view of the art institution and gallery and from that of the artist. You will learn how to set up an exhibition, how to connect with the public at various levels, how to engage with artists and consider their needs and ambitions. You will learn ways to approach works of art and relate them to current art discourses and you will above all learn to trust your own judgement.
On completing the course the participants will:
- have learnt some basic principles of exhibition design,
- be able to position themselves from the point of view of the artist or creative group, the public and the mediating institution,
- understand how the design of an exhibition or other art event affects meaning and leads to a successful outcome,
- understand how works of art (architecture, theatre, music, film, etc) position us in relation to social and political structures and norms,
- be able to formulate their ideas about art in relation to current art discourse,
- be able to write about art events in various ways and distinguish between critical texts, journalistic texts and artist’s texts,
- understand the role of financial institutions in promoting art,
- know how to manage and finance public art projects,
- have acquired an historical perspective on spatial representation,
- be able to handle some basic concepts in aesthetic theory.
Content
- Elements of exhibition management and design.
- How to write an art-critical text.
- Management of public art projects.
- The symbiosis of high finance and art.
- Spatial Representation through the ages.
- The Parthenon and the question of the replica.
- Questions of aesthetics.
Τeaching hours and credit allocation: 14 hours, 6 credits
Τhe aim of the course is the understanding of the principles and the concept of marketing for cultural organizations. Students completing this course will acquire the tools for a good command of the key elements of marketing across cultural organizations and strategies for attracting audiences. Through case studies and contemporary examples from the cultural industry, students will be expected to apply the theoretical concepts discussed onto real-life marketing examples.
On completing the module, students are expected to be able to:
- Understand the the principles and the concept of marketing for cultural organizations.
- Acquire the tools for a good command of the key elements of marketing across cultural organizations and strategies for attracting audiences
- Analyze case studies and contemporary examples from the cultural industry.
- Apply the theoretical concepts discussed onto real-life marketing examples.
Cultural diversity is an asset that is indispensable for poverty reduction and achievement of sustainable development. The aim of this course is to provide students with knowledge of UNESCO’s contribution to the protection of the world’s cultural diversity through cultural and natural heritage preservation. Emphasis will be placed on the study of Conventions for the safeguarding of international cultural heritage. This course will also introduce students to UNESCO’s initiative to create a worldwide network of specialists, organisations and universities related to culture and cultural heritage.
On completing the module, students are expected to be able to:
- Understand the correlation between legal, economic and political aspects of culture.
- Recognise UNESCO’s significant mandate in safeguarding and promoting cultural diversity.
- Identify the main roles and functions of UNESCO in the field of culture.
- Understand cultural heritage assets.
- Understand and interpret the rules of UNESCO’s conventions for the protection of culture.
- Develop critical understanding of conservation principles and practices.
- Understand the relationship between cultural heritage and sustainable development.
- Understand the need for a participative approach in conservation projects.
In the third term, students choose a dissertation topic relevant to the courses of the MA in Art Law and Arts Management programme. The topic is chosen by the student with input and advice from a faculty member, who acts as the supervisor, working closely with the student. The dissertation is an individual 10,000-word paper of original scientific work, which upon completion is submitted for examination and approval by a three-member committee chaired by the student’s supervisor. After the submission of the dissertation the student must present the dissertation to the three-member committee.
Schedule
Τhe duration of the programme is three terms; the first two are taught and the third is dedicated to the Master’s dissertation. The courses are taught over weekends, twice or three times a month, while the written examinations take place on Fridays, at 17:00 pm. In order to be awarded the MA degree, students must complete a total of 90 credits.
This involves taking:
- First term:
- Five core courses (30 credits)
- Second term:
- Two core courses (18 credits) and
- Two elective courses (12 credits)
- Third term:
- Master’s Dissertation (30 credits)
The Academic Faculty
- Asst. Prof. Komninos Komnios, Assistant Professor at International Hellenic University
- Prof. Irini Stamatoudi, Faculty of Law, University of Nicosia, Cyprus
- Dr Fotios Papathanasiou, General Manager B&M Theocharakis Foundation for Fine Arts and Music
- Dr. Themis Veleni, Art History, Ph.D., Cultural Organizations Management, MSc Art History, MA
- Dr. Anna Chrisohoidou, Ph.D. Private International Law, Law School of Athens, National and Kapodistrian University of Athens
- Dr Venetia Argyropoulou, Ph.D in Financial and Investment Law, Tilburg University Netherlands, Academic Scholar IHU
Useful Documents
Official Government Gazette and other useful documents:
Seminars/Workshops/Conferences
Special events, guest lectures, seminars, workshops and conferences on energy related issues take place either online or in the facilities of the School of Humanities, Social Sciences and Economics of the University Center of International Programmes of Studies of the International Hellenic University in Thermi-Thessaloniki.
Indicatively, recently, the following events, organized by the MA in Art Law and Arts Management, took place:
– Guest lecture on “Management of Cultural Units“, in greek language, by Dr. F. Papathanasiou, Director of B&M Theoharakis Foundation for the Fine Arts and Music (15/11/2022).
– Summer Academy 2023 under the title “The Metaverse: Ethical, Economic, and Legal Challenges“, in english language (3-8/7/2023).
Fees & Financing
Fees
The programme fees for the MA in Art Law and Arts Management is 3.000€ . The amount is payable in two instalments for the full time mode or in four instalments for the part time mode at the beginning of each semester. The fees are also eligible for financing through LAEK – OAED programme.
Deposits
If you have been accepted to a postgraduate programme, you will need to make a payment of the deposit of 500 Euros to secure your place. This amount will count towards the first instalment of your tuition fees. The deposit is non-refundable once you have commenced your studies at the IHU. Prior to that, a refund can be made but a 20% administrative fee will be retained. The deposit can be paid by bank transfer or bank draft. Credit card payments can be made through electronic banking (contact your Bank as handling fees may apply).
Scholarships
The School of Humanities, Social Sciences and Economics offers a number of scholarships for the programmes it offers, covering a significant proportion of the fees. These scholarships are competitive. Award criteria include the quality of the first degree, the undergraduate grades of the candidate, his/her command of the English language and overall profile. Candidates for scholarships should include a separate letter with their application documents in which they request to be considered for a scholarship, stating the reasons why they think they qualify.
Programme announcement – Admissions
Next MA in Art Law and Arts Management class starts in October 2024. Interested parties are invited to submit their application by 31 August 2024 (non-Greek applicants) / 30 September 2024 (Greek applicants) or until places are filled, by following instructions at the applicatios page.
Programme announcement:
ENG |
GR
Location
The MA in Art Law and Arts Management takes place in the facilities of the School of Humanities, Social Sciences and Economics of the University Center of International Programmes of Studies of the International Hellenic University in Thermi-Thessaloniki.
Contact
Postal address:
School of Humanities, Social Sciences and Economics
Department of School of Humanities, Social Sciences and Economics
University Center of International Programmes of Studies
14th km Thessaloniki – Nea Moudania 570 01 Thermi, Thessaloniki, Greece
Tel: +30 2310 807 530/564/565
Email: infoshsse@ihu.edu.gr
